Charlottesville Breaking News

Day six: All about the money

Did Eric Abshire know he stood to collect $1.5 million if his wife died in a hit and run, and did he attempt to collect that money? Those questions were the subject of testimony on Wednesday, October 19, as the prosecution in the first-degree murder trial of the incarcerated Greene County dump truck driver worked its way toward the end of its witness list, only to be cut short by a bomb threat in the courthouse.

"There's a situation in the building," said Orange County Circuit Court Judge Daniel Bouton as court watchers returned to the courtroom after lunch at approximately 1:30pm. Alerting the courtroom attendees to the threat, he also attempted to offer comfort.

"There's no reason to have any basis to panic or to fear," said Bouton, who suggested that the threat was related to a case other than Abshire's. Bouton excused the jury and witnesses, then proved he didn't consider the threat imminent by asking,  before completing the evacuation, the prosecution and defense if there were any further motions to consider.

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ABC...F: What's wrong with state alcohol laws

By Don Harrison

"The ABCs of Virginia Alcohol Law” packs an awful lot of absurdity into its five-minute running time. The award-winning short-form documentary, made by filmmakers Austin Bragg and Caleb Brown, compactly summarizes for the YouTube generation the overflowing problems that bar owners and patrons face if they want to sell or consume alcohol in the Commonwealth of Virginia.

With depressing accuracy, this little film depicts a state stuck in the dark ages when it comes to how its Department of Alcoholic Beverage Control regulates, or over-regulates, spirits. As documented, many of our liquor laws seem alternately punitive and arbitrary, nonsensical and draconian, subject to selective interpretation, and capable of terminating livelihoods.

Bragg and Brown present example after example: Virginians of legal age can go into a bar and buy a bottle of beer or wine, but they are forbidden to purchase a bottle of liquor (this is called “bottle service” in other, more enlightened, locales); a bar customer can’t buy three drinks at a time– two is the limit– but the amount of alcohol contained in the drinks doesn’t factor in (Um, what is this law protecting us from? Wasteful glass usage?). Also, a person can legally transport a three-gallon jug of whiskey across state lines, but doing the same thing with six half-gallon containers– the...

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Balance of power: What's at stake in the 2011 elections

Three perennials always make the list of top local controversies: the Western 29 Bypass, Meadowcreek Parkway, and the water plan. Whether you love these projects or hate 'em, the deciders on these and many other quality-of-life issues sit on the Albemarle Board of Supervisors and the Charlottesville City Council. And who's elected to fill seats on those key boards on November 8 has the potential to shift the balance of power on these controversial projects.

In Albemarle, it's always about growth– tightly containing it or encouraging business-friendly expansion. And nothing exemplifies the shift in power in the county more than the Western 29 Bypass, which emerged this spring from the grave where it was believed dead and buried for more than 10 years.

The resurrection of the Bypass is symbolic of how much Albemarle County has changed since the 2009 elections.

For decades, limited-growth policy backers had a 4-2 headlock on the Board of Supervisors, and the county was seen as not so business-friendly.

That course shifted two years ago when Sally Thomas decided not to run for a fifth term representing the Samuel Miller district, and Republican Duane Snow won her seat. He was joined by another Republican, Rodney Thomas, who upset Democratic incumbent David Slutzky in the Rio District. Suddenly, the board had two new Republicans joining Ken Boyd for a 3-3 balance.

Throw in conservative Dem Lindsay Dorrier, who dropped his longstandin...

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Scrappy work: Preston recreates '20s in graphic book

If Caroline Preston had a time machine, she'd take it back to the 1920s. Instead, the Charlottesville author has brought the 1920s to today by channelling a lifelong collecting habit into a new book called The Scrapbook of Frankie Pratt, which– to use the parlance of the era– is getting a bee's knees roll-out.

"It'll be in the New York Times this weekend, and Women's Wear Daily and the Oprah magazine," Preston tells a reporter recently in her Rugby Road-area home, where vintage bubblegum toys vie with antique dollhouses and the vintage valentines she collected in college.

Little wonder Preston would work as an archivist at Peabody Essex Museum in Salem, Massachusetts, and at Harvard's Houghton Library.

"Mark Twain was so avid," she says, as she grabs her great-grandmother's 1870s scrapbook, "that he patented a scrapbook with gummed pages."

Her debutante mother followed in her grandmother's footsteps by detailing South American travels in 1939-40. "I love the way the scrapbook told a story," Preston says. "It was a way to know my mother."

Scrapbooks were such the jazz-era rage that the period's icons, Zelda and Scott Fitzgerald, kept them. (This isn't the first time Preston has visited the Roaring '20s: Scott Fitzgerald was central to h...

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Retread: 'Footloose' remake out of step

There's one thing to be said for a remake of a 1984 movie that uses the original screenplay. This 2011 version is so similar – sometimes song for song and line for line – that I was wickedly tempted to reprint my 1984 review, word for word. But That Would Be Wrong. I think I could have gotten away with it, though. The movies differ in such tiny details (the hero now moves to Tennessee from Boston, not Chicago) that few would have noticed.

Was there then, or is there now, a town in Tennessee or any other state in which the city council has passed a law against "dancing in public"? There may have been a brief period, soon after Elvis first began grinding his pelvis and preachers denounced rock 'n' roll as "the devil's music." But for most young moviegoers this plot point is going to seem so unlikely as to be bizarre.

We again get a plot in which a high school beer party leads to a fatal crash, taking the lives of five teenagers. The city council bans the music, under the influence of Rev. Shaw Moore (Dennis Quaid). Rev. Moore, who seems to be the only preacher in town, acts as the de facto civic moral leader. Full review.

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