Charlottesville Breaking News
It’s hard to tell whether Charlottesville’s resident experimental filmmaker Kevin Everson spends more time behind the viewfinder of his 16mm camera or at airports.
Since 2010, Everson’s films have played at, among other venues, the Toronto Film Festival, the New York Film Festival, and throughout Europe and South America, frequently with him in attendance. The Whitney Museum’s Everson retrospective ran from April to September and was warmly reviewed by the likes of the New York Times. His films were also released in a 3-DVD set called Broad Daylight and Other Times.
Meanwhile, he continuously made new movies, five of which are screening at this year’s Film Festival in an hour-long program, hosted by Everson.
Everson, 45, seems pleased by– but wary of– his critical laurels. “It’s Kool and the Gang,” he says. “I’m just grindin’ it out. It’s good. I take it with a grain of salt, because at the end of the day, I’ve got to make new s***. So I never let it get to me...
“I’ve got no problem with it,” he laughs.
Everson’s latest movies are “an exercise in form,” he explains. “There’s five films, but three different forms.” Most are fiction, but one is a semi-documentary.
Predictable Everson isn’t. With his usual avant-garde flair, he “did three films based on Columbus, Mississippi, that aren’t shot in Columbus, Mississippi,” he says wryly. “They’re shot in...
Cismont resident Jack Fisk has a charmed career. Few movie production designers have worked on so many critically acclaimed films or as consistently with extraordinary directors, such as Terrence Malick and David Lynch. Like them, Fisk favors art over commerce.
Yet versatility is a hallmark of Fisk’s designs. He recreated a hauntingly accurate 1950s America in his breakout film, Malick’s Badlands (1973) and more recently in The Tree of Life (2011). He built the prom that Carrie White incinerated in Carrie (1976). For Paul Thomas Anderson’s There Will Be Blood (2007), he earned an Academy Award nomination for replicating California’s ragged early oil towns and rigs.
With boyish enthusiasm, the utterly unpretentious Fisk, 65, says his love of building artificial worlds began in childhood when living in a wooded area in Richmond.
"I built a lot of forts.” As an adult, he says, “They turned into sets.”
After Fisk graduated from art school, director Jonathan Demme gave him his first production design assignment for $100 a week on the 1971 biker movie Angels Hard As They Come. Bewildered, Fisk called cinematographer Stephen Katz to find out what an art director does.
“And he said, ‘I don’t know,’” Fisk laughs. “So, to cover my a**, I did everything: I did costumes and props and went crazy, but I loved it.”
Since they met in ninth grade David Lynch has figured heavily in...
It was the case of a billionaire versus a farm manager, what a friend of the accused describes as a steamroller attempting to crush a gnat. But when the jury rendered its verdict on embezzlement charges October 27, the gnat– actually a towering former UVA linebacker– walked tall from the Albemarle County Courthouse amid grateful sobs from his daughter.
The 82-year-old patriarch of the family enriched by the Seagram liquor fortune, New York-based Edgar Bronfman Sr., had accused 52-year-old Michael Nemeyer of illegally enriching himself with bank accounts and credit cards that should have been devoted to Georgetown Farm, Bronfman's sprawling weekend retreat near the northwestern county village of Free Union.
Trial testimony indicated that after Bronfman announced his intention to sell the property about two years ago, Nemeyer expressed an interest in settling what he claims he thought were loans. That acknowledgement, says jury foreperson Ellen Schmidt, was a key factor in the jury's view that there was no criminal deception.
"When the owner said he was selling," recalls Schmidt, "Michael said, 'Well, I still you owe you money.' There was no evidence that he went out of his way to hide anything."
Yet the court file indicates that Nemeyer once penned a letter to the farm's bookkeeper (who separately stands accused) in the billionaire's name. And one of the exhibits introduced at trial was a letter Nemeyer sent Bronfman a...